I’ve been thinking more and more about my responsibility as an artist. And just typing that feels a little weird—the idea that artists have responsibilities other than to their art. But our work does more than just sit there in our heads. It wanders out of our skulls and into the heads of other people, [...]
Here in DC, it’s season roll-out time. The major theatres are sending out press releases listing the plays they’ll be tackling in their 2012-13 season, making each seem like a precious gem that audiences would be fools to miss. Recently, after two major theatres went public with their season and I was hard-pressed to find [...]
Previously in this column: The members of Bright Alchemy Theatre, a very young devised theatre company based in Washington, DC, have spent the last nine months working on its new project which began with the question: Why do we as a species feel the need to tell stories about our own destruction? This weekend, for [...]
Rachel Chavkin, founding artistic director of the TEAM, a devising ensemble, wrote an article on TCG’s blog that asks the question, “What if devised theatre moved from the margins to the mainstream of theatre making?” She makes the case that the slower, cooperative methods involved in a lot of devised work could make for a [...]
In case you’ve been in a coma for the last year, there’s this Broadway musical, it’s called Spider-Man: Turn Off the Dark, and it’s made some headlines. There were accidents and script problems and fights with critics and the official opening kept being pushed further back and back and back and…etc. Basically, it redefined the [...]
Previously in this column: Bright Alchemy Theatre, a very young company devoted to the creation of devised work, decides to begin work on a narrative and thematic sequel to A Cre@tion Story for Naomi, which explored the world’s creation myths. We began this new process with a question: Why do we feel the need to [...]
Previously in this column: Bright Alchemy Theatre, a very young company devoted to the creation of devised work, decides to begin work on a narrative and thematic sequel to A Cre@tion Story for Naomi, which explored the world’s creation myths. We began this new process with a question: Why do we feel the need to [...]
Week 6: This is the first week where there was homework. For the last two months, we’ve been talking about Apocalypse on the grand scale. Lots of great thoughts circling vast concepts of evolution and society. I thought it might be useful to start thinking on the micro scale. Throughout the process, we have briefly [...]
On the last day of the new play convening held at Arena Stage this past January, participants (and livestream satellite observers) were asked to come up with goals for the coming year. What could we do to further the state of new play development in our town/city/shire? One of my resolutions for the coming year [...]
Week 3. Is it just me, or are destruction stories a lot less interesting—or at least less fantastical—than creation stories? And there are a lot fewer variations on how things end than on how things begin. Maybe because with creation you have to work for it. We can’t imagine how things like worlds and civilizations [...]
So, here we are. Week two and hip-deep in the initial group dramaturgy of Bright Alchemy’s devising process, which started with the question “Why do we as a species feel compelled to tell stories of our own destruction?” It’s very early, but I’m already beginning to get that familiar feeling of drowning in images and [...]
Wherein I blog Bright Alchemy’s devising process for its newest project. My living room is full of artists eating baked goods and mainlining coffee. The latter is not surprising, since it’s 10:30 A.M. on a Sunday. What is surprising is that a dozen theatre-makers chose to subject themselves to this sun-drenched world while there was [...]