In the fairly recent past, an active subject of conversation that kept resurfacing was the content of current shows in the commercial sector. Namely, the fact that a majority of new productions on Broadway are based on pre-extant Intellectual Property. Of course many artists aren’t too thrilled about this when there’s so much great ORIGINAL [...]
Collation line. Apparatus. Strip of terror. Whatever you call it, it’s that somewhat inscrutable line or two of apparently Enigma code between the text and the annotations, particularly in a modern edition of, say, Shakespeare. It might seem irrelevant or irretrievably geeky, but there are all kinds of important, dramatically compelling questions lurking amid the [...]
So in the last blink of the internet a poor AD in Edmonton dropped his guard for a moment, blew off some steam, and didn’t get away with anything. At all. Ever. Mr. Jeff Haslam still thinks people are unhappy with him because he commented publically not because of what he said. If you are [...]
Before we get to the post, a joke. The joke. Man goes on vacation, leaves his cat with his parents. A week later, he comes home, goes to pick up the cat. And his dad says, “Sorry, son, the cat’s dead.” “Jesus, Dad, you couldn’t have broken it to me gently? When did this–” “The [...]
At the American Shakespeare Center, we are getting ready to expand our social media footprint. Internally, this plan has met with a rich combination of excitement and concern. What happens when we let our ASC family loose on Twitter, YouTube, and blogs? How can we make sure that we are all representing the ASC in [...]
or, Please Don’t Be a Fair Weather Friend… A few weeks ago, I started writing this post. I didn’t even have the guts to put it on my own blog. I decided to write it for 2am Theatre. Then I saw this excellent post on PR For Smarties. So I immediately emailed Karen and asked [...]
Performance Art. Spoken Word. Don’t stop reading yet. David Sedaris comes to my town fairly often, once or twice a year. He can fill up a 4,000-seat theater, or quickly sell out an eight-night run at a smaller one. Last year, the Associating Writing Programs conference, a gathering of folks affiliated with BFA and MFA writing programs, [...]
It should be clear that we at 2amt like Twitter just fine. But where do you draw the line? After this story about how some theatres in Australia are using Twitter during performances, an idea that some theatres are trying in the U.S., the question started flying around the #2amt hashtag. Here are a couple [...]
I’m currently working my way through the fantastic book Cognitive Surplus: Creativity and Generosity in a Connected Age by Clay Shirky, the author of Here Comes Everybody, and boy does it ever make me think of our very own #2amt efforts. Not only does it make me consider #2amt with a better honed sociological context, [...]
Disruptive technology and disruptive innovation are terms used in business and technology literature to describe innovations that improve a product or service in ways that the market does not expect, typically by being lower priced or designed for a different set of consumers. – Wikipedia I think the world of new play development is ready [...]
After the first sustained pause in the conversation between (sober) theatremakers the party question of choice is “what is your dream project?” It’s a fun topic and generally it means you don’t have to talk for a minute which limits your probability of saying something stupid. It works best for actors and directors and pretty [...]
The space and conventions around a live performance determine whether it is fundamentally inclusive or exclusive. When an arts organization or producer decides to charge $100 for a ticket, and another decides to put on a show for free, either performance can be “legitimate” and draw a large crowd, if the conventions of the space [...]