What can we learn from the birth of the regional theatre movement? Which arts administrator has reached a mass-critical critical mass? Where did Verdi and Shakespeare work to support their writing habits? How many theatres are we going to have to occupy? Why do we call it play? These are the stories we’ve been following [...]
…and what it means for our future. I was a lucky audience member for the Oct 26th SDC Zelda Fichandler Award presentation at Arena Stage (which was given, this year, to Blanka Zizka of Wilma Theater). I wanted to attend, in part, because I had just joined the stage directors and choreographers union a few [...]
Over the weekend, @NewPlayTV streamed three interesting, presumably unrelated talks. The first was from Steppenwolf’s First Look Festival, titled How to engage 21st Century Audiences for New Plays, followed an hour later by one from the PlayFest at Orlando Shakespeare Theater on How to Make a Living as a Playwright? Monday night’s was from New [...]
Dear @Resident Theatre Company or @Individual Show: You know I love you and so I’m sorry to do this impersonally. But we have to talk. I know it’s hard to hear those words, because they always lead to the same thing. And to be perfectly honest, this time, it’s not me, it is you. When [...]
This afternoon, Florida Stage announced that it was filling for chapter 7 bankruptcy and closing its doors forever. Florida Stage was the largest theatre company producing only new work in the United States. They were also the largest theatre company in the South Florida Theatre Region. Unfortunately, they had 1.5 million dollars in debt and [...]
The Follow Friday posts are back! We look at communities remembering their own stories and pulling together to give to the arts, philanthropy from donors and from theatre companies themselves, playwrights living in towns small and large. We also look at theatre companies working together and, well, working at all. And we check into the [...]
So you’re at the Humana Festival of New American Plays and you’ve got a few minutes. You’ve seen the art, you’ve looked at the gifts, you’ve had a beer. Maybe you’re in the mood to play a game. Maybe you’re looking for something to engage audiences at your own theatre company. Take the 2amt challenge. [...]
Last weekend, I saw approximately half of the shows at the Humana Festival of New American Plays at Actors Theatre of Louisville. I’m heading back this weekend for the rest, but I wanted to write about the themes and connections between those first three shows. I saw this combination by chance, but all three have [...]
Up here in the Northwest, the crisis du jour has been all about Intiman Theatre’s recent public cry for help… they need about $1 mil by summertime or they are going to need to close their doors. Suddenly, Rocco Landesman’s provocative statements about the American theater being oversupplied had a poster child/test case. Was Intiman, [...]
Indulge me in a little rhetorical drama, I have, on occasion, so indulged many of you. The USA needs theatre. We are a potentially free and democratic people, but when the citizens become disenchanted and politically disengaged, we disenfranchise ourselves and cede leadership to those who can tolerate swimming in a political cesspool. Theatre makes [...]
We all have regrets. We have the shows we almost saw, the times when we didn’t quite make it out the door, didn’t cross town, and then the show we wanted to see existed on Earth no more. It happened without us. We so wanted to go. We were tired, or we were distracted, or the cost was too [...]
Monday night, here in Vancouver, we celebrated The 28th Annual Jessie Richardson Theatre Awards. For those of you who aren’t familiar with the Vancouver cultural landscape, The Jessies are our answer to Toronto’s Doras or Broadway’s Tony Awards. They honour theatre excellence over the past year. You can say what you like about awards shows: [...]