We all have regrets. We have the shows we almost saw, the times when we didn’t quite make it out the door, didn’t cross town, and then the show we wanted to see existed on Earth no more. It happened without us. We so wanted to go. We were tired, or we were distracted, or the cost was too [...]
Before we get to the post, a joke. The joke. Man goes on vacation, leaves his cat with his parents. A week later, he comes home, goes to pick up the cat. And his dad says, “Sorry, son, the cat’s dead.” “Jesus, Dad, you couldn’t have broken it to me gently? When did this–” “The [...]
While we’re putting together some audio treats from my adventure at the Hollywood Fringe, here are some visual tidbits–photos from the first couple of days of the first annual festival.
After the first sustained pause in the conversation between (sober) theatremakers the party question of choice is “what is your dream project?” It’s a fun topic and generally it means you don’t have to talk for a minute which limits your probability of saying something stupid. It works best for actors and directors and pretty [...]
The space and conventions around a live performance determine whether it is fundamentally inclusive or exclusive. When an arts organization or producer decides to charge $100 for a ticket, and another decides to put on a show for free, either performance can be “legitimate” and draw a large crowd, if the conventions of the space [...]
O the ill-lit, often lonely corners of the Internet where theater-company blogs reside! O the carefully eked-out production notes and interviews and dramaturgy, still photos and videos and audio conversations—sometimes engaging, sometimes profound, sometimes beautiful—that end for eternity with Comments (0)! Unless a relative, friend, or fellow company member sees it, in which case Comments (1)! O [...]
Or more precisely, just listen, as this is just the audio from Michael Kaiser’s appearance at Portland Center Stage last week. Whether you agree or disagree with his advice and observations, it’s worth a listen. Some of his advice applies more towards the large, institutional theatres and, in many ways, echoes some of the idea [...]
In today’s Washington Post, Peter Marks imagines a new hope for theatre with a touch of audacity. (Go ahead and read it. We’ll wait.) The short version is, he considers a world in which the White House could support more live theatre–dramatic work in particular–perhaps coordinated by Rocco Landesman and the NEA. After all, “[i]t’s [...]
I’m sure they’re clean. I’m sure you’re a good host. I’m sure they’re stocked with ample and appropriate paper products for your anticipated audience, and that the plumbing works. Is that it? A few weeks ago, I wrote how theater lobbies are often functional, neutral spaces—closer in design and function to a waiting room or [...]
Not just any bookstore, but specifically this bookstore: Montague Bookmill in Montague, Massachusetts. Seth Godin sums it up well when he stated: This is the bookstore of the future, because it’s not a business trying to maximize growth and ROI. No, it’s a place, an attitude, an approach to an afternoon. They don’t sell every [...]
I have talked time and again over at the Cambiare Productions blog about relationships and trust metrics and “street cred” and…. yes I’m as surprised as you are that anyone reads… but I’m going to restate it here because it needs restating. Ask a theatre artist what they don’t have, wind them up, and go [...]
Full disclosure. I am by trade a playwright. I may be an artist-in-residence, producer, sound designer, graphic designer, voiceover artist and marketing department for my own theatre company, which, yes, I co-founded. Those are things I do and can do. But I identify myself as a writer. With that in mind, you’ll understand why I [...]